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Son of Abdul Qadir, the 25-year old legspinner talks about carrying the burden of his surname, his role model, and his aspirations to play for Australia

Alex Malcolm20-Dec-2018It started with a phone call.Then Perth Scorchers coach Justin Langer was informed early during last year’s Big Bash League of a young Pakistani legspinner who was taking wickets for fun in Sydney Premier Cricket for Hawkesbury.Usman Qadir, 25, son of the great Abdul Qadir, had already claimed two five-wicket hauls, as well as figures of 2 for 14, 3 for 15 and 4 for 18 in three T20s to help Hawkesbury through to the T20 Cup preliminary final prior to Christmas.The Scorchers rarely look outside their Western Australian nest, but a series of events piqued their interest. They were decimated by injuries to their fast bowling brigade. Overseas signing David Willey was about to leave for international duty, and the development of Victorian legspinner James Muirhead was not working as planned.Meanwhile, Rashid Khan was wreaking havoc for the Adelaide Strikers. A mystery legspinner, the son of a gun no less, was a tantalising prospect.The impulsive move would have been to sign him sight unseen. But the Scorchers are three-time champions for a reason. They instead opted to fly Qadir to Brisbane for a training session ahead of their clash with the Brisbane Heat on January 5.”I went there and I was quite nervous,” Qadir tells ESPNcricinfo. “I just started bowling and after two or three balls I got my confidence back. I bowled pretty well over there and Justin Langer really liked me.”Langer wasn’t the only one impressed. Adam Voges, then Scorchers captain and now their new coach, faced plenty of Qadir in the nets.”He impressed everyone that day,” Voges says. “None of us could pick him. He had some energy about him. He bowled with a smile on his face. And he bowled really well. Right from that moment you sort of thought there’s something here. We certainly wanted to keep a relationship with him. We knew there was a possibility that we might be able to replace David Willey at the back end of the tournament so we just kept Usman in mind for that period.”But the Scorchers baulked at signing him. Even after losing to the Heat where their four quicks were taken for 167 from 16 overs before Yasir Shah took 1 for 27 from his four, the wheels were in motion to recruit Englishman Tim Bresnan.They asked Qadir to join training in Sydney a week later and his recruitment for the following season was cemented on the low and slow practice wickets of Spotless Stadium. He made fools of the Scorchers’ batsmen, five of whom had played international cricket.The fact that Voges took over as coach also helped. As opposed to Langer observing from the back of the nets, Voges had been bamboozled by him, and knew the value of spinners in T20 cricket.”We felt that we were a spinner short when we lost Ashton Agar to international duties last year,” Voges says. “We felt we got exposed there. So, we sort of made it a priority when I came on board to try and find another option, because should Ash be away again we felt we needed something.”He’s got a quick-arm speed. A bit like a Rashid Khan; he’s quick through the air as well. Even if you think you’ve picked it, you haven’t got much time to adjust if you’ve got it wrong.”It gives us an option of playing two spinners, which is something different to how we’ve gone in the past.”Voges got more than he bargained for. The Scorchers opted to bring Qadir to Perth to train with the Western Warriors in the lead-up to the JLT Cup in September. He played in a practice match against South Australia and took 7 for 35.He made his state debut for the Warriors against Victoria at the Junction Oval and took 3 for 50, claimed the prized wicket of Cameron White, and promptly declared he wanted to play in the 2020 T20 World Cup for Australia.

Three wickets on #JLTCup debut for WA's Usman Qadir!

The Vics have been bowled out for 200 in the 46th over. Scorecard: https://t.co/1SdBfpIfTY pic.twitter.com/OUAIftBjt0

— cricket.com.au (@cricketcomau) September 26, 2018

“This is my goal and I’m looking forward,” Qadir says. “If the opportunity comes I want to grab that. That’s the plan.”Why the son of a Pakistani legend wishes to play for Australia is a question that would require two or three hours to answer, according to Qadir himself.After he represented Pakistan at the 2012 Under-19s World Cup in Australia, Darren Berry, then South Australia coach, brought him to Adelaide to play club cricket. He took two seven-wicket hauls and two six-wicket hauls in seven games and played two Futures League games for South Australia.But at his father’s request, Qadir returned home to play first-class cricket for National Bank of Pakistan. Over three years, he played eight first-class matches, 14 List A games and 13 T20s. His last first-class match in Pakistan, in December 2014 against Port Qasim Authority, perhaps summed up his experience. He was picked as a bowler, but did not bowl a ball in the match.The perception of nepotism plagued his career in Pakistan. His father’s tenuous relationship with the Pakistan Cricket Board did not help. It is a burden Qadir carries with him.”Unfortunately, I have a big name with me,” Qadir says. “It’s quite difficult if I talk about my father. I don’t want to do that. In Pakistan I didn’t play lots of cricket. That’s why I did not get opportunities. So that’s why I moved to Australia.”His relationship with his father is good despite, like many fathers and sons, some rocky moments. He is still proud to be the son of Abdul Qadir but he wants to be his own man.”He carries the name and so everyone, I think, makes the assumption or makes the connection,” Voges says. “Usman is very aware of that. I think part of that is the reason he’s come out to try his luck in Australia. He speaks a lot about his dad. But he wants to forge his own path and hopefully he can out here.”He hasn’t played a lot of cricket but he’s got some really good variations and he can actually bat as well, so that’s good. I think he’ll keep learning. The more he gets exposed, the more he gets the opportunity to play out here, the more he’ll keep learning.”He is learning quickly in Australia. His splash in the JLT Cup should have been no surprise given his performances in club cricket, which he describes as some of the most competitive cricket he’s played.It led to selection in the Prime Minister’s XI game against South Africa in Canberra, where he took 3 for 28. It also gave him a chance to catch up with his hero and mentor, Imran Tahir.

Usman Qadir grabs his third – and he's pretty pumped about it! The Proteas finish with just 173 at Manuka Oval. Scores: https://t.co/dcTzaMaejm #PMXIvSA pic.twitter.com/73jhjYA9p1

— cricket.com.au (@cricketcomau) October 31, 2018

“Mostly, I like to watch Imran Tahir,” Qadir says. “He’s like my brother. Whenever I get into difficulties I speak to my dad and Imran Tahir.”He said, ‘you bowled pretty well. Just go with your flow, whatever you are doing, you’re performing really well. Just keep working hard and you can achieve your goal.’ This was his advice to me.”Now Qadir gets his chance in the BBL as the league becomes a haven for overseas spinners to make their mark. Rashid has forged a path and every other club has taken the Strikers’ lead. The Brisbane Heat have added Afghanistan teenager Mujeeb Ur Rahman while the Melbourne Stars have signed Nepal youngster Sandeep Lamichhane. Mohammad Nabi returns for another overseas stint at the Melbourne Renegades and now the Scorchers, a side whose success is built on the back of a deep pace-bowling unit, have gambled on Qadir.Voges, with more recent batting experience in the league than any other coach, said it was easy to see why spinners were having such a significant impact on the tournament.”Not being able to pick guys, which way it’s spinning, and the pressures of being able to score are huge,” Voges says.”I guess it’s just their skill that has made scoring really quite difficult. I think Rashid Khan has been a breath of fresh air into the competition and certainly was a big part of Adelaide’s success last year. We’d be mad not to try and copy something like that.”All Usman Qadir ever wanted was an opportunity. Now he’s found it in the last place you would ever think to look.

They have been the standout side in the group stage of the Big Bash having largely trusted their own talent

Sam Perry25-Jan-2019They’ve never finished last, nor ever finished first. But after ten games and eight wins, Hobart Hurricanes have proved themselves the standout franchise in BBL08, and are virtually assured a finals berth with four games remaining in the regular season. What underpins their rise?Their evolution to BBL heavyweights has come about through part geographic disadvantage, part design, with no real Moneyball to be seen. On the contrary, whereas T20 franchises can often seem to be a cold, data-driven aggregation of players with good numbers, the central tenet of the Hurricanes’ philosophy is a ‘one program’ approach.With the exception of just two out-of-towners in D’Arcy Short and Jofra Archer, from the executives to the coaches to the kit handler to the strength and conditioning coach, the same people that work for Tasmania work on the Hurricanes. According to those familiar with the program, the notion of a team where staff and players alike simply ‘swap shirts’ for six weeks creates continuity, that in-turn breeds a welcome familiarity and camaraderie among the group. Sound familiar? The Hurricanes know this path has been well-trodden by their counterparts in the West, and don’t mind the moniker of ‘Scorchers 2.0’.Not that Short – who for all intents and purposes treated as an overseas player at the franchise – or Archer, aren’t important. The latter is especially so. While sections of the Australian public remain intriguingly unaware of his stardom – and his potential to be part England’s World Cup bid – the Hurricanes are happy in the knowledge they boast one of the best quicks in the format. His arrival in Hobart was spurred by a county fixture involving Archer and George Bailey, who was playing for Hampshire. Bailey faced Archer for the first time, and following the game called Hurricanes management to inform them that he absolutely had to be signed. Four weeks later, he was.But while Archer has performed excellently, not all overseas or out-of-town players find the Tasmanian Isle an appealing prospect. There’s the story of one player spurning an offer to join the Hurricanes because Hobart was too far from other states to travel to, while others have openly declared their preference to Hurricanes management for the glitzy cosmopolitan wares of Sydney and Melbourne, as opposed to the altogether more peaceable surrounds of the Salamanca Market and MONA.

Rather than plump for the outright best individual players in the competition, they recruit on a role-basis, aiming to fill specific game needs, rather than retrofitting stars into a team set-up

Not that playing for a Sydney franchise always guarantees a holistic commitment to the team cause either. While at the Sydney’s Western Suburbs-based Thunder, Chris Gayle rejected the team’s accommodation at Rooty Hill RSL, opting instead to pay for his own accommodation nearer the CBD.The parable of Gayle is instructive in the Hurricanes’ thinking, too. They’re of the view that the very best individual players don’t necessarily correlate to team success, as Gayle’s winning record might suggest. Instead, rather than plump for the outright best individual players in the competition, they recruit on a role-basis, aiming to fill specific game needs, rather than retrofitting stars into a team set-up. To that end, they were thrilled to regain the services of James Faulkner from Melbourne Stars, which they saw as having the double-effect of burnishing their playing stocks with a highly skilled finisher, and shearing a rival of a key role player in the process.The Hurricanes have never had a problem registering 180, but they’ve previously had trouble defending it. Faulkner’s return, alongside Riley Meredith’s stellar entrance, has balanced an attack which prefers to err on the side of pace, given Blundstone Arena’s unforgiving relationship to spin. While their recent capitulation at the hands of Sydney Sixers and Josh Philippe suggests they’re not fully rid of that phenomenon, more often than not they’re finding ways to restrict the opposition in the wake of their own batting flurries, which adheres to a simple goal to lose no more than two wickets in the first ten overs, and – if achieved – will likely lead to another 100 from the last ten.Further underpinning their holistic approach to short format cricket, they’ve recently commenced their own academy program. The brainchild of CEO Nick Cummins and Mike Hussey when both were at the Thunder, the apparatus bridges the gap between Premier Cricket and the BBL, where for many the step from suburban outposts to catches in front of 40,000 under lights can be dizzying.Under the program, players play against others on the periphery, and head to tournaments against other Academy outfits, like a recent one in Abu Dhabi, where they were able to play against teams like the Auckland, Yorkshire and Lahore Qalandars able to provide exposure to mystery spin, and players who could work the ball into strange areas.Earlier this week, Cummins replied to feverish praise of the Hurricanes on Twitter, claiming the importance of ‘keeping the lid on’. But as the Scorchers 2.0 project rounds the bend into finals, their powerful batting, role players, balanced bowling and a cohesive operational structure means he’ll be fighting an uphill battle. There can be little doubt the Hurricanes have given themselves every opportunity to claim their first title in franchise history. The lid is almost off.

The focus, invariably, will be as much on the captains – Mithali Raj and Harmanpreet Kaur – as it will be on the youngsters and international stars

ESPNcricinfo staff11-May-2019First, the cricket
Velocity are led by Mithali Raj, arguably India’s best ever cricketer and captain of the ODI side; Supernovas are led by Harmanpreet Kaur, the most exciting batsman of her generation, Raj’s deputy in the ODI side and captain of the T20 team.These sides met here, at Jaipur’s Sawai Mansingh Stadium, two days ago. In that match, Raj’s Velocity lost pace, intent and eventually the match. But they still qualified for the final by pipping Trailblazers, whom they’d already beaten, on NRR.Match info

Start time: 1930 IST
Venue: Sawai Mansingh Stadium, Jaipur.

What’s the feud?
The long-suspected acrimony between the two players became public during the World T20 in the West Indies in November. Raj was dropped for the semi-final, which India lost, and after the match Harmanpreet said she had wanted to retain a winning side from the previous match. Raj’s manager, however, then launched an unprecedented Twitter attack on Harmanpreet’s captaincy. She called Harmanpreet a “manipulative, lying, immature, undeserving captain” and also said the women’s team believed in “politics not sport”.What was the fallout?
The first casualty was the interim head coach Ramesh Powar – his contract expired days after that semi-final defeat and was not extended. Powar, who received the backing of Harmanpreet and her T20 deputy Smriti Mandhana, was critical of Raj in his report on India’s performance at the World T20. He said she had threatened to pull out of the tournament if not allowed to open the batting.Annesha Ghosh/ESPNcricinfoDid it end there?
There were a lot of emails sent by Raj and Harmanpreet to the Committee of Administrators, all leaked to the media. Raj said the episode had left her, “for the first time in a 20-year long career… deflated, depressed and let down. I am forced to think if my services to my country are of any value to a few people in power who are out to destroy me and break my confidence.” She did not directly blame Harmanpreet, saying “I am of the opinion that Harman and I are senior players and our issues, if any, should be sorted out by the two of us by sitting across the table.”What happened next?
Well, they sat down across the table – along with senior BCCI officials – within a week of Raj’s email. Raj is understood to have told Harmanpreet that Annisha Gupta, whose tweets had set off the storm, was not her manager. On her part, Harmanpreet told Raj that the decision to exclude her from the World T20 semis was not a personal choice but a collective call.About a month later, on the eve of the team’s tour of New Zealand, both Raj and Harmanpreet claimed to have “moved on” from the acrimony that, by Raj’s admission, did “hamper” the profile of the Indian women’s team.BCCISo that was that?
Or so we thought. Earlier this week, though, Raj told , “I do keep to myself [in the dressing room] and people can’t judge me for that right now…I believe what has happened has definitely made me more wiser to people around me in the dressing room… I wouldn’t say I felt lonely but I definitely feel that I was betrayed.”So has Raj settled in the side?
Since the start of the 2017 World Cup, Raj, now 36, has been largely inconsistent on whether she herself envisions herself playing the 2020 T20 World Cup or the 2021 ODI World Cup. While still a formidable force in the 50-over format, on the subject of whether retirement from the shortest format figures in her plans, Raj’s go-to refrain when fielding questions at press conferences of late has been, “You’ll see when that happens.”In March, WV Raman, the new coach of the women’s side, in a post-match review alongside stand-in captain Mandhana and Raj said that “we [him, Raj and Mandhana, the stand-in captain for the series against England women] had a chat about what she [Raj] is comfortable doing and what suits the side as well.”With that, a semblance of clarity around her batting slot in the middle order, and not as an opener, appeared to have been offered. That topic had become a full-blown controversy after India’s 2018 World T20 exit.Yet in that same interview, when asked whether the new team management had informed her of her role in the team, Raj’s answer was succinct: “Honestly, not yet.”Back to Jaipur
What Raman, Mandhana and the management make of the denial may not be brought up for discussion until the national camp in Bengaluru gets underway next month. For now, the focus remains on the action in Jaipur and the battle for supremacy between Raman-Harmanpreet’s Supernovas and Raj’s Velocity.Can 15-year-old uncapped Indian batsman Shafali Verma get Velocity off to a brisk start, like she did in her first game of the tournament? Or will Supernovas batsman Jemimah Rodrigues trump Shafali in the battle of the teenagers? Also, the in-form Danielle Wyatt could alone demolish the Supernovas attack, unless the Yadavs – Radha and Poonam – orchestrate yet another middle-overs choke with their spin.With less than ten months out from the T20 World Cup in Australia, uncapped Indians would do well to treat the Women’s T20 Challenge final as an audition for a likely call-up, and for internationals on the fringe, such as Veda Krishnamurthy and Sushma Verma, a chance for a recall into the national side.

Here are 11, from Gayle, Kohli, Buttler, Williamson and others

Jarrod Kimber06-Jun-2019Everyone has a batsman who plays a shot that does things to them. Magical, visceral strokes that grab us, from nowhere, despite everything, because there is something about their architecture or meaning, or where the ball goes, or where it doesn’t. Of how you can’t help but notice it, or you miss it every time. The connection is yours. But these are some of the best right now.Cue moans of ecstasy•Getty ImagesShai Hope: the back-foot drive
The ball is short of a length, just outside off stump. He has barely moved from his original position. If anything, he stops his front foot from going forward and drags it towards the crease. But the back one never moves. His head is still; it is entirely his arms that do the work. They wait until the last moment, when the delivery gets to bellybutton height, beneath the eyes. A slightly off-centre straight bat hits the ball, his feet leave the ground, and the ball flies through mid-off.There are lots of great back-foot cover drives out there. If you can play the shot, chances are it looks good. Stuart Broad has a breathtaking and surprising version. Morne Morkel has shown elegance beyond himself with a few. The best in the game right now is probably Kane Williamson, but Joe Root might want to have words with that opinion. Then there’s Haris Sohail. And Hashim Amla’s back-foot cover drive hasn’t retired yet.But Hope, when he stays so still, makes one quick movement, and the ball flies through mid-off – it’s just wonderful, and it does something to me. I saw this shot live, and there was a communal guttural moan that followed it.We all have that shot by that player that moves us. It might have been David Gower off his pads, Virender Sehwag’s square drive, or Neil Harvey coming down the wicket to spin. It’s not the generic “I like cover drives”, it’s the specific, “I like Rohan Kanai’s cover drive.” From now until the end of time I’ll always be moved by Hope playing that shot. I still remember how the arm of the person next to me felt when I grabbed it after Hope played one of these.Is that a jab or a caress? Is he human? Questions•Mal Fairclough/AFP/Getty ImagesRohit Sharma: the short-arm jab
The front foot comes down the wicket; it’s not a huge stride but the weight is forward. The narrowly back-of-a-length ball challenges that movement. But instead of going back, he stands still and swings his arms across the ball. The ball is picked up from somewhere above bail height and ends miles over midwicket.It’s not a shot for mortals; the angled bat means you have a significant chance of top-edging the ball or dragging back on. You’re attacking a length ball across the line. And you’re on your front foot playing what has been for centuries a back-foot stroke. To play this, you need to have the extra moment of time that the rest of us don’t have – be the sort of person who stops their own sneeze. Virat Kohli has one, David Warner another, and in recent times Shubman Gill has also played it. But those players emphasise the jab in their shots. They are punching their jab; Rohit caresses his.The pull shot is the most red-blooded of cricket shots. It’s a combination of protecting your body, getting the ball a ways away, and doing it by any means. With Alastair Cook retiring, Shan Masood’s pull shot is perhaps the best around (a delightful swivel pull). The pull produces interesting progeny like the strapple (straight pull) and the Lara and Greenidge hip flicks. But the short-arm jab is different, as you can score from different kinds of balls.Warner uses his to find easy twos, Kohli and Gill unfurl theirs when the field is up on the leg side. Rohit doesn’t use it in those ways because he is ethereal. He’s not even a batsman; he’s just a collection of fireflies lighting up our world. So when he plays the short-arm jab, it’s 34 rows back, because he has entered god mode, and he has no time for length balls. He is reaching out with his feelings, finding balance and energy, surrounding and binding cricket fans together.This is the Rohit Sharma Jedi short-arm ease.Taylor: legs it all the time•Michael Bradley/AFP/Getty ImagesRoss Taylor: the standing hockey swat
The ball is full and wide of off stump, a perfect delivery to be cover-driven or lofted over off. The batsman moves across his stumps and bends his knee. It’s like he’s building to sweep. What follows is a cross-bat shot, although the bowler is fast. The ball disappears over deep midwicket.There was a time when Taylor was one of the best T20 batsmen on earth. It was only fleeting, but in 2008 he averaged 39 and struck at 182. That was across IPL, domestic T20s at home, and some internationals. At that stage he was playing this shot almost exclusively. If the ball was full, wide, or even straight, spin, seam, it didn’t matter, Taylor was in position to play his stroke. His wagon wheels looked more like a compass, and his north was midwicket. These days he brings the shot out when he gets to the death; given that in the last two years he has averaged 75 in ODIs, that happens more often than not.Taylor isn’t the first player with a frequent leg-side shot. Yuvraj Singh had his pretty flick, Dean Jones his run-down-the-wicket clip, Eoin Morgan the run-and-swat, and Mominul Haque the chip wide of mid-on. Oh, and I appreciate the Fakhar Zaman fast-action leg flick. More players now have go-to leg-side shots. It’s far easier to take a ball from outside off to leg than the other way around.Other crazy guys have swept quicks, but Taylor isn’t even doing that. And he’s not using the pace of the seamers, as Mal Loye did; Taylor’s shot is forward of square, usually towards midwicket. And this is not even a cricket shot, it’s more of a drag-flick from hockey.Unlike most players with their agricultural or necessity shots to leg, Taylor seems to have decided it comprised almost all of his run-scoring options. No player reached further to hit to leg. This is a man desperate to hit a shot, one shot, his shot. The single bloody-mindedness and the huge sixes are admirable.Williamson’s push-guide-nudge: a genius response to a critical delivery•Getty ImagesKane Williamson: the defensive shot to gully
His eyes are level, he’s in a symmetrical batting stance, his gloves are just near his right hip, there is a slight bow in his front leg. The ball is back of a length outside off stump, and he moves into the line of the delivery and waits for it to come. He is in this position early, and he plays the ball late, so the ball’s under his eyes when it hits his bat. His soft hands roll it out on a gully line, and then straight away he’s off down the other end.Let us be clear here. For almost any classical shot in cricket, Williamson is either first or on the podium. He probably has the best forward defence, the cleanest conventional cover drive ( sorry, Belly) a world-class pull, the nicest back-foot cover drive. And he may be the best cutter of spin. I assume there are people with all these various shots tattooed across their backs, but Williamson’s defensive stroke is more important than any of them.In top-level cricket there is no ball more critical than the one in the channel outside off – the corridor of uncertainty, the Queensland line, or whatever your phrase is. It’s the thing you see in Tests and ODIs the most. Top batsmen like Rahul Dravid, Joe Root and Williamson score off them. Root knocks the ball to point and takes a one or two, Dravid used soft hands to guide it through fifth and sixth slip. Williamson is somewhere in between.It’s not entirely a guide or a push; in most hands it’s probably a play and miss. He does it from the stumps and wide in the channel; he does front- and back-foot versions. It’s a versatile, gentle defensive scoring shot. If it’s a shot you haven’t noticed or fallen deliriously in love with, that’s because it just looks like nothing.This simple shot allows Williamson to be constantly at the non-striker’s end. Look at the highlights of Williamson batting: no self-respecting TV director is adding this shot to the package. And yet he plays it ball after ball, making bowling in the channel to him like shooting a ghost.The switcheroo: Mendis looks like he’s striding forward to defend, and then in a flash he’s pulling it to the fence•Getty ImagesKusal Mendis: the pull to spin
The batsman moves across and forward, trying to negate the turn. But the ball is just a touch too short. Then, like he is being yanked on a string, all his weight thrusts back. One leg has moved towards square leg, the other is around off stump. He’s low to the ground and putting all his force into a pull shot.Generations ago, cutting the spinner was seen as high art, but with the advent of DRS, spinners bowl straighter now, and the cut shot has gone. If this piece was written 20 years ago, Tendulkar’s lap, Steve Waugh’s slog sweep, Younis Khan going down the wicket, and VVS Laxman’s inside-out cover drives from leg stump would all be on the list. But spinners have become lbw machines, and many of the scoring options now reflect the need to protect your stumps.In the last three years of international cricket 13 players have scored 1000 or more runs and averaged 50 plus against spin. Che Pujara has his come-down-the-wicket-and-whip. Steven Smith possesses the fastest feet. Williamson can cut the slow ball. Root pushes through the covers romantically. And Kohli plays a mean cover drive to the offspinners. But as good as all these shots are, none have the drama of Mendis’ pull.He has the talent to join the big four of batting, but he hasn’t worked out the consistency yet. You can see that in the pull shot. Not one of Virat, Joe, Kane or Steve would play this exact shot. They would work these balls or check the stroke. Mendis is all in; he is splayed across the crease and whacking the ball as hard as he can. Visually it shows speed and desperation; there is a touch of the schoolboy to it. Like he thinks any ball he has a chance of scoring off, he needs to throw everything at it.Dentist’s advisory: don’t try this at home•Getty ImagesAB de Villiers: the sweep against seam
He’s well outside off stump by the time the ball is delivered, crouching low and getting into a near lap-sweep position. Inside the line, and with the shoulders slightly turned towards fine. Then the sweep comes, it’s like a flick-sweep, lofting the ball, which travels for six over short fine-leg’s head.This shot is remarkable because he has done it to Lasith Malinga and Dale Steyn (OMG! Ponies!), because he hits so often, and because he shows all of his stumps while doing it. But maybe the most exciting part is that this is the only shot in world cricket that can hit sixes off full deliveries behind square off slower balls. The scoop – either Dil or lap – relies on pace from the bowler. The helicopter shot still has to clear boundary riders. Short fine-leg is almost always in the ring. De Villiers’ shot is almost always in play.ABDV is not a normal human. He played the demon Mitchell Johnson 2.0 like he was bowling yawns. He has perfected the execution of every shot invented, and he once reverse-hooked a ball.This shot would be foolish from a human player – even he laughs off the fact that he doesn’t do it in the nets because eventually a top edge will remove sections of his jaw. But his ability to play the shot means you cannot york him or bowl wide of off stump. Slower balls are less effective as well. So this stroke ensures there’s no place to bowl to him, and no field to set either.From a spectator’s point of view, this shot is bonkers, B.O.N.K.E.R.S. It doesn’t matter if it’s bowled by some clubby domestic T20 bowler or Mitchell Starc – sweeping a quick is silly, sweeping a quick while on the move is silly, and sweeping a quick while trying to get inside it is silly. It’s like a triple-pike shot while simultaneously smoking a cigarette and drinking a beer and winking at you that this will all work out.Roy: pavilion-hater•Getty ImagesJason Roy: straight drive
He has taken a few steps down the wicket. He is not running, though, just getting some momentum, staying leg side of the ball, and that’s so he can swing his arms through the line. The backswing and follow-through are not extravagant, but they are more than enough to clear any rope. This goes long and straight until it slams into the Oval pavillion.In this generation there are two noises you hear at The Oval, the topless bloke yelling “Come on, the Rees”, and the sound of a Jason Roy drive clanging into the pavilion. Surrey have been tinkering with their members’ stand for a while and Roy has spent most of that time trying to bash it down. It is his statement on how historical architecture fights modern life. It doesn’t seem to matter if he is playing for England or not, Roy always appears to be at The Oval, scaring members.One of the great selling points of this shot is how similarly he plays it against pace or spin. He is walking down the wicket because the bowler is too slow for his fast-twitch muscles – whether it’s flighted or seam-up, he wants at it, and then swings true.There are a lot of nice straight drives in the world. Kohli (again). Shane Watson’s has lovely brute force. Ajinkya Rahane is a picture when he plays it, Cameron White a statue. Roy’s is dramatic because of the number of sixes that come from it but also for his method. It’s a combination of old-school batting and newfangled hitting. The raw, muscular athleticism of the modern batsman, but still grammatically as correct as any straight drives of yore. It’s elegantly brutal.Sciver: like a giant trying to make a daisy chain•Getty ImagesNatalie Sciver: the Natmeg
The ball is full on the stumps, and although she has moved back to give herself room and get into her power position, she is now cramped. Instead of swinging through the line and smashing it straight, she has to come up with a new option. The one she takes is to keep her feet wide and flick a glance through her legs.The Natmeg even being a thing shows how far women’s cricket has come. The women had cricket’s first World Cup, but it’s not common knowledge. Belinda Clark scored the first ODI double, but that is rarely mentioned. But when Sciver played this awkward genius shot, it all went a bit viral. And what is better is that Sciver didn’t even invent the shot. The draw shot – the name used before hashtags – was a part of cricket back in the men-only days. And Steven Smith had been playing it for a while too.But there is a specific reason Sciver’s shot is better than Smith’s. It’s because we expect Smith to do weird things. One time he leg-glanced a ball from Wahab Riaz that was missing the pitch on the off side. For a while there he had this sword-dancing leave, and even his regular strokes are not standard human shots.Sciver is a hitter. She clears the front leg, lofts the ball and clears ropes. There is little art in her batting; it’s just aggressive slapping and muscle strokes. So for her to not only use the draw shot but for it to be back-up for when she fails to slog the ball as well, that’s remarkable.There’s a delightful awkwardness to her playing this shot. It is not like a leg glance; it is what a leg glance would be if you had only heard about it in a poem one time. She looks like a giant trying to make a daisy chain. Smith doesn’t have that; he was playing the ball through his legs while he was still in utero. Sciver’s version isn’t natural, it’s like a robot squatting, until the moment where she styles it out by artfully giving us a follow-through the legs. But you don’t care, because she hit a ball through her legs.Buttler: swing time•Getty ImagesJos Buttler: the straight hit
The ball is supposed to be a yorker wide of the stumps and it has not missed its length by much. But since the bowler hit the crease, the batsman has moved back in the crease. His feet are quick, and they stay close together; he doesn’t have a big power stance. His backlift is late, unlike other huge hitters he doesn’t always have his bat lifted like a baseball player. Instead, his bat is at his hip until the ball is halfway down. Then he quickly picks it up to about shoulder height, and it comes down as fast as anything moves in cricket. The shot is played with a slightly angled bat, late, and looks more like a golf swing. The wrists and hands are not like they would be a standard cricket shot, and the ball has a power fade on it as it disappears into the crowd.It is difficult to stop Buttler; the easiest dismissal seems to be waiting for him to leave the crease before the ball is bowled. In the last three years in ODIs in the final ten overs he has scored 742 runs off 425 balls and been out nine times, averaging 78 while hitting at 10.86 an over. The highest average and second best strike rate of those with over 200 death runs.He has a million shots – he played a ball over his head while standing upright; he can pull and cut hard; he steps across the wicket to paddle; owns all the sweeps that have been invented; and he has this muscular anti-cover drive that is awesome. Buttler is a favourite shot master. But it’s his straight hit that is the most captivating because it is not like traditional cricket shots, or even like new T20 shots. His method – this small base, golf-like swing and breaking wrists that don’t look like the hitting we’re used to – doesn’t feel quite right, or look like we expect a power shot to be. And yet there it is, disappearing quicker than the cameraman can turn around, again and again. And something is exciting about a player of his size who can launch balls over 100 metres and then paddle a quicker bowler over this head before dashing back for two on the rare mishit.The defence for four•Getty ImagesVirat Kohli: the on-drive
The ball is full and around off stump; the batsman moves across his stumps. The average human instinct is to flick it away, but the galaxy-brained player stays still and punches it back past the non-striker with a straight bat. It’s almost a defensive shot, such is the still head and angle of the bat; it’s just that the ball is now hitting the rope at long-on.I know already that Kohli fans are angry with me for him missing out on the straight drive and short arm jab. Considering how much arse he has been kicking (vast arse), they always seem angry. But Kohli plays so many shots well that unless you give him a medal for playing them all well (and I assume someone has) you have to pick the that he is best at. Essentially he was not competing with other players for best shots so much as his best shots were competing with each other. And the others are cool, sexy, breathtaking, but his on-drive is something else.The on-drive is cricket’s one iron, and not even God can hit a one iron. It’s a shot that is not handed out to all batsmen – you have to dislodge a bat out of a rock, Excalibur-style, just to show you’re worthy. MS Dhoni and Kieron Pollard play incredible lofted versions. But as good as Dhoni looks winning a World Cup, or Pollard does in a cap, lifting a spinner over a stand, the artisan’s on-drive is the forward defence that races through the non-striker’s legs.When the balance, eye and technique meld together, the batsman says, I am the best player on the ground. Or in Kohli’s case, the planet.Mind the windows, Chris•PA Photos/Getty ImagesChris Gayle: the heave to leg
His right foot points to midwicket, and the bat starts around his head. The entire pitch is clear for him to swing to leg. This ball is on a length on off stump; his bat comes through on an angle. Once the bat makes contact, the ball disappears, from the pitch, the ring, the ground, the stadium, the solar system.We’ve seen so many Gayle big hits now, it’s hard to think of his other shots. His footwork to the spinners, the pull shots off the hip, or even his occasional guide down to third man. Once you see him club Brett Lee into the Archbishop Tennyson School, other shots are just white noise.Slogs to leg have been around for a long time. When players from the top of Test cricket to the bottom of club grades swing hard, it’s to midwicket or cow corner. It’s a natural swing, it’s how kids first swing the bat, and they invented an entire sport around it. So the swing is not new, and sixes have happened before. Sure, he hits it longer, and that catches the eye, but they don’t count for more runs.But the real reason Gayle is so memorable is that he succeeds in playing a shot most don’t, and he does it over and over again. He is remarkably consistent at nailing what is a low percentage shot. According to ESPNcricinfo records, in the last three years of the shots that have been classified, 24.9% of Gayle’s T20 runs come through midwicket. And of those 565 runs, 294 are from sixes. To mid-on, there have been 365 runs, and 198 in sixes. That is incredible consistency from what is a cross-bat shot, with his foot nowhere near the line of the ball. That shows how well he picks the ball he is going to hit, and how much time he has spent honing this skill, turning a dirty slog into a production line.And think about this: everyone in the entire universe he claims to be boss of knows where he is going to hit, and he still does it, all this time later.